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Inez Storer
Donna Carmen in Ecstasy, 1998 artist book
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Donna Carmen in Ecstasy, 1998 artist book Limited edition
artist book with monoprints 60 x 40 in.de Saisset Museum permanent
collection, 2002.2
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For over four decades, Inverness-based Inez Storer has pursued her own
uniquely personal and idiosyncratic style of figuration, despite periods
in which abstraction remained the prevalent avant-garde trend. Storer’s
delightfully accessibly works are both formally satisfying and rich in
content, addressing universal themes of identity, spirituality, imagination,
and history.
Storer’s dream-like paintings and prints possess a charming naivete that
belies the complexity of their production. The artist says that she is
"fascinated by process" and her work often incorporates collage
elements and found objects layered atop painted images and text. Because
of this, her work makes reference to the long-standing Bay Area funk tradition
of collage and assemblage. Personal narrative also figures prominently
in Storer’s paintings, prints, and installations. She describes her own
aesthetic process as a method of uncovering buried histories. One of the
most important of these histories for Storer’s work is her Jewish identity.
References to Russian folk art within her works allude to the influence
of her husband, Russian artist Andrew Romanov, who is a grand nephew of
a Russian czar.
This handmade limited edition artist book documents the life of the fictional
character Donna Carmen. Featuring eight pages of text and image, the work
follows Carmen as she progresses through important — and universal — passages
in her life. Featuring the artist’s characteristic sense of humor and
delightfully simple style, the book provides a wonderful introduction
to Storer’s very unique vision.
In Fall 2004, the de Saissset Museum will present the first retrospective
exhibition of Storer’s work. The exhibition will feature approximately
30 paintings produced from 1960 to the present, as well as fine examples
of Storer’s prints, artist books, and assemblages.
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