Assistant Professor of Art Ryan Reynolds explores what it means to see—versus to truly understand.
"We live in a time when we see things that we don’t really experience,” says Ryan Reynolds—even though, through the media, “we have a sense that we are informed of truth or reality.” That sense of watching (or not) conflict half a world away informs Digital War, one of Reynolds’ recent series. The painting here shows the aftermath of the bombing of the Indian embassy in Kabul, Afghanistan, in 2010. But the digital transmission has been fragmented and, on the receiving end, put together in a way that’s broken, incomplete.
Go further: See more images from the series and read more of what Reynolds has to say about it.
An epic journey whereby one foot is put in front of the other to discover, up close and personal, who and what and where is the Golden State.
To tell the story of Bob Miller ’67 is to tell the coming-of-age tale of Las Vegas itself. And it’s the chronicle of a man who served a decade as governor of Nevada. Quite a journey for the son of an illegal bookie from Chicago.
Nina Acosta ’82 was a tough enough cop to pass the test for the LAPD’s SWAT team. Then she learned the hard way about gender discrimination. So how did she do on Survivor?
The 2013 Alexander Law Prize honors Chen Guangcheng, a Chinese civil-rights activist and attorney who protested government abuses—including excessive enforcement of the one-child policy—then escaped house arrest to the U.S. Embassy in Beijing.
Growing up tennis with Kelly Lamble ’13 and John Lamble ’14. And Bronco teams that are a force to be reckoned with nationally.
For teaching and advising and a ministry that’s blessed this place for 48 years—paying tribute to Charles Phipps, S.J.