Panelist for Literary Managers and Dramaturgs of the Americas Conference 2017: "Diversity in Casting"
Stage Director: Million Dollar Quartet for Palo Alto Players, September 2017
Panelist for TBA (Theatre Bay Area) Annual Conference 2016 “Director and Designer Communication"
Co-Author with David Popalisky on academic paper, “Futurismo: Linking Past and Present Through an Artistic Aesthetic” in Theatre Topics, Nov. 2016 issue
Lead Actor: Dr. Astrov in Uncle Vanya for Pear Ave Theatre, Feb/Mar 2016
Stage Director: Calendar Girls for City Lights Theater Company, December 2016
Director: Green Day's American Idiot for City Lights Theater Company, Summer 2016
Co-Instructor with Professor Popalisky: “Performing Our Environment,” Winter 2016
Presenter: International University Global Theatre Experience Conference "We Are The Futurists," Styria Austria, December 2015
Participant 3-day SCU Workshop: “Developing Multi-Media Content to Enhance Student Understanding,” June 2015
Panelist for TBA (Theatre Bay Area) Annual Conference 2015 “Backstage Human Resources: The Director as HR Rep”
Recipient of NEA (National Endowment for the Arts) grant with other Department of Theatre and Dance colleagues
Stage Director: M. Butterfly for City Lights Theater Company, Spring 2015
Participant in 3-day Creativity Workshop, New York City, NY, Winter 2015
Playwright: Truce: A Christmas Wish From The Great War with Kit Wilder for City Lights Theater Company, Winter 2015
Lead Actor: Serge in Art for City Lights Theater Company, Fall 2014
Karyn Lee Connell
Pilates on Tour Mountain View, CA (August 2017)
Attended Pilates on Tour in San Francisco (July 2016)
Karyn Connell traveled to Chicago to study ballet with her colleagues and mentors (July 2015).
Derek Duarte designed lighting for Pirates of Penzance, Pacific Repertory Theater, Carmel, CA, director Stephen Moorer, January, 2015.
Derek Duarte designed lighting for Carlota (world premiere opera), composed by Paul Davies, Mexican Heritage Theater, director Daniel Helfgot, February, 2015. (collaborated on projection design as well)
Derek Duarte designed lighting for Les Miserables, Peninsula Youth Theater, director Michael Champlin, Mountain View Center for the Performing Arts, March, 2015.
Derek Duarte designed lighting for Revive, Resurge, Remain (world premiere), Ahdanceco at ODC Commons, San Francisco, CA, Choreographer Abigail Hosein, April, 2015.
Derek Duarte designed lighting for TSW Best Practices Conference, Santa Clara Convention Center, in collaboration with the Technical Services Industrial Association and Allstar Group, May, 2015.
Derek Duarte designed lighting for Exquisite Love (world premiere), Abhinaya Dance Company at the San Francisco International Arts Festival, Choreographer Mythili Kumar, Cowell Theater, June, 2015.
Derek Duarte designed lighting for Into The Woods, Western Stage, Jon Selover director, June 2015.
Derek Duarte designed lighting for Corridos (new adaptation by Luis Valdez), Western Stage in conjunction with El Teatro Campesino’s 50th Anniversary, directed by Lorenzo Aragon and Cesar Flores, August, 2015.
Kristin KusanovichKristin Kusanovich recently Assistant Directed and Choreographed David Henry Hwang’s M. Butterfly at City Lights Theatre and received a performance commission from Marquette University for Six Psalms, an evening length solo dance performed with actor George Drance, S.J. for Chance Company.Her most recent publication in a peer-reviewed international journal isCranston, J. & Kusanovich, K. (2014). How Shall I Act? Nurturing the Dramatic and Ethical Imagination of Educational Leaders. International Studies in Educational Administration, 07/2014; 42(2):45-62.Her first full-length book will be published by Palgrave Macmillan in a series entitled, Creativity, Education and the Arts. This co-authored volume contains three new one-act plays for teacher leaders on advising gay-straight alliances, intercolleague bullying in schools and the micropolitics of field experiences.Her most recent grants are the National Endowment for the Arts NEA grant for El Proyecto Creativo (co-investigator) and a Hackworth Grant for research on ethics from the Markkula Center for Ethics at SCU.
Kimberly Mohne Hill
- Rags at TheatreWorks
- Noises Off at SF Playhouse
- Outside Mullingar at TheatreWorks
- The Wild Boy at Dragon Theater
- Awake & Sing at SCU with Guest Director Scott Kaiser of Oregon Shakespeare Festival
- The Elephant Man at CityLights
- Triangle (World Premiere) at TheatreWorks
- Sweeney Todd at TheatreWorks
- The Rainmaker at San Jose Stage Co.
- The House that Will Not Stand at Berkeley Rep (World Premiere, Co-Pro with Yale Rep; Glickman Award Winner, 2015, Finalist TBA Awards – Overall Outstanding Production 2014)
- Threepenny Opera at San Jose Stage (TBA Award Winner – Outstanding Production 2014)
- The Language Archive at CityLights
- Spamalot at CityLights
- Water by the Spoonful at TheatreWorks
- *A Thousand Splendid Suns (A.C.T./Theatre Calgary)(*Asst. Director)
- Arcadia, SCU Mayer Theatre
- When the Rain Stops Falling, Dragon Theater Co.
- Venus in Fur, San Jose Stage Co.
- In the Next Room (or, the vibrator play), City Lights Theater
- The Other Place, Dragon Theater Co.
- The Tempest, SCU Mayer Theatre
- Footloose, West Valley Light Opera
- In the Heights, SCU Mayer Theatre
- Voice & Storytelling Workshop – Northern California Innocence Project, Restorative Justice Retreat, August 2016
- Coloring Outside the Lines – Dialect Workshop – ATHE Conf. in Montreal August 2015
- Guest Lecture – Soc. Justice & Arts (Brian Thorstenson) May 2015
- A.C.T. Young Conservatory – Guest Lecture – Dialect Mar 2015
- Student Life Voice Workshop Feb. 2015
- Ignatian Center – Western Conversations at Gonzaga Univ. Oct. 2014
Barbara MurrayCostume Designer. Cyrano de Bergerac by Edmond Rostand with a new adaptation by Lisa Tromovitch, for Livermore Shakespeare Festival. Performed at Wente Winery, Livermore CA, July 2017Costume Designer. The Music Man by Meredith Wilson for Lyric Theatre. Performed at Montgomery Theatre, San Jose CA, October 2016Costume Designer for Ulysses in Night Town by James Joyce for Muhllenberg College PA, Department of Theatre and Dance, May 2016Director. The Serenade by Victor Herbert for Lyric Theatre. Performed at Montgomery Theatre, San Jose CA, June 2016Currently directing Oklahoma by Rodgers and Hammerstein. Lyric Theatre, to be performed in October 2017
WALKING WITH WALT (group 10’) 2015, Wally Schnalle original score.
Pasadena Dance Festival, Lineage Performance Center, Pasadena CA, January 18, 2015; Vision Series, Cowell Theatre, San Francisco, CA, March 7, 2015; DUMBO Dance Festival, Gelsey Kirkland Arts Center, Brooklyn, NY, October 9-10, 2015
THANK GOOD YOU BYE (group 13’) 2014, Zoe Keating, Dustin Wong, original video.
Images ’14, Santa Clara University, February 6-9, 2014
Presentation with Jeffrey Bracco: "Futurismo: Linking Past and Present Through an Artistic Aesthetic"
International Conference on Arts and Humanities, January 2014
FOR COLORED GIRLS WHO HAVE CONSIDER SUICIDE WHEN THE RAINBOW IS ENUF
SCU Theatrical Production, 2013, Santa Clara University, May 10-18, 2013
FUTURISMO (group 14’) 2013, John Adams, Earl Scruggs, Zap Mama, F.T. Marinetti, created in collaboration with Jeffrey Bracco.
Images ’13, Santa Clara University, February 7-10, 2013
SWIMMING UPSTREAM (solo 3’) 2012, Phillip Glass
Beijing Community Theatre, Beijing, China, December 17, 2012
RETURN TO HJ JUNCTION (trio 10’) 2012, John Adams
Vision Series, Cowell Theatre, San Francisco, CA, March 16, 2012; Pasadena Dance Festival, Lineage Performance Center, Pasadena CA, April 20-21, 2012; DUMBO Dance Festival, John Ryan Theatre, Brooklyn, NY, Sept. 28-29, 2012; MUSICAL MAVERICKS SERIES, Santa Clara University, October 27, 2012
2015 SILICON VALLEY CREATES, Artist Laureate Award, Onstage $5000, recognizing sustained choreographic achievement
Michael A. Zampelli, S.J.
Zampelli, Michael A. “Playing for the Greater Glory of God: Jesuits and the Performing Arts.” Bellarmine College Preparatory School. Faculty Series. February 2015. San Jose, California.
Zampelli, Michael A. “Restoration and Migration: Jesuit Performance on American Stages.” Crossings and Dwellings: Restored Jesuits, Women Religious, American Experience, 1814-
2014. Loyola University Chicago and the Hank Center for the Catholic Intellectual Heritage. Chicago, Illinois. October 2014.
Zampelli, Michael A. “Bridging the Distance: Jesuit Performance Transposed to a Contemporary Key.” Music as Cultural Mission: Explorations of Jesuit Practices in Italy and North America. Ed. Anna Harwell Celenza and Anthony R. DelDonna. Philadelphia: St. Joseph’s University Press, 2014. 191-206.