M.F.A., University of California, Berkeley, Art Practice
Reynolds' time-based work is developed through an accumulation of observations painted over the course of many days. This process explores the compulsion to get at something beyond the static image. When painting layers of time there is a quality of being a witness to one's life, perception, and inevitable mortality, that is communicated through the subject's translation into paint. Through many cycles of destroying, layering, and rebuilding the image, the essential qualities of movement, spontaneity, and psychological insight are conveyed. In the tension between the static painting and the constantly changing subject, a balance is struck between abstraction and representation.
Digital war is the title of a recent group of paintings based on media images of human conflict. The images depict shocking violence of lives being torn apart, seen through the filter of the computer or television screen. The painting is fragmented to suggest the scattered digital image. Subjects are removed and abstracted from the actual experience, losing their sense of reality but gaining a new virtual identity.
ARTS 30 Basic Drawing
ARTS 43 Basic Painting
ARTS 131 Life Drawing
ARTS 143 Painting
ARTS 144 Advanced Painting
ARTS 196A Studio Art Seminar