All gallery exhibitions are free and open to the public and are held in the Department of Art and Art History's Gallery, which is located in the Edward M. Dowd Art and Art History Building. The Art and Art History Gallery Hours: M-F, 9am-4pm.
Due to the current public health situation, the Department of Art and Art History and the Art and Art History Gallery is closed until further notice. Questions regarding an exhibition can be emailed to Artinfo@scu.edu.
Squeak Carnwath
Then We Must, 2020
Oil alkyd on canvas over panel
77" X 77"
Courtesy of the artist
Photo Credit: M. Lee Fatherree
To Hear and Be Heard
Online Exhibition Dates: October 16, 2020 - January 22, 2021
Artist Panel Discussion on October 29th at 5pm via zoom.
Curator: Marianne McGrath
To Hear and Be Heard invites us to rethink and redefine what it means to be civil, to be a citizen, to listen and be heard with our votes, voices, words and the visual expression and problem solving that art uniquely provides.
Online Exhibition Participating Artists: Alice Beasley, Sandow Birk, Sheila Pree Bright, Squeak Carnwath, Marie Cameron, Enrique Chagoya, Brian Dettmer, Nazanin Hedayat Munroe, Julie Heffernan, Phillip Hua, Sherry Karver, Lisa Kokin, Roberto Lugo, Amalia Mesa-Bains, Priscilla Otani, Maria Porges, Chelsea Ryoko Wong
Artist Panel Participants: Alice Beasley, Sandow Birk, Sheila Pree Bright, Marie Cameron, Brian Dettmer, Julie Heffernan, Phillip Hua, Sherry Karver, Amalia Mesa-Bains, Nazanin Hedayat Munroe, Priscilla Otani, Maria Porges and Chelsea Wong.
Golbganou Moghaddas
Hoopoe The Paragon II
Multi-plate etching, Printed on Japanese Gampi Paper,
Mounted on Sekishu paper
20" X 15"
2019
Art Hazelwood
Culture Street and Gentrification Lane
Woodcut
36" X 24" each panel
2016
Art Hazelwood & Golbganou Moghaddas
Exhibition Dates: February 17 - April 12, 2021
Artist Talk and Reception: TBA
Master printmakers, Art Hazelwood's & Golbganou Moghaddas' artwork spans two generations and provides humor, wonder and insight into varied political, cultural and personal perspectives.