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Art and Art History

2015-2016

Abstract sculpture with angular shapes and intricate line patterns.

Charged Abstraction

Exhibition Dates:
September 21 to October 23, 2015
Art Gallery 10:30-5:30pm

Opening Reception:
October 7, 2015, 5:30-7:30pm

Charged abstraction consists of ceramic sculptures that are created with a socially conscious intention utilizing sophisticated personal visual language. This show features the work of Jennifer Brazelton, Cameron Crawford, Shenny  Cruces, Bill Heiderich, Tiffany Schmierer, Shannon Sullivan, and Susan Whitmore.


Abstract circular artwork featuring yellow, purple, and pink hues with textured patterns.

World and Wings

Exhibition Dates:
November 2 to December 4, 2015

Art Gallery 10:30-5:30pm

Opening Reception:
November 5, 2015, 5:30-7:30pm

Wanda Sullivans' paintings are conceptionally based on landscapes, landscape principles, and a concern for climate change. She strives for a conglomeration of weather, light, color, and texture; all combined into an abstract pictorial space containing vague references to organic and fundamental landscape characteristics such as horizon lines. Sullivan uses circles to allude to the world or remains of worlds.


A surreal scene with a person in front of a ruined archway among clouds.

Dreams in the Midst of a Nightmare

Exhibition Dates:
January 11 to February 5, 2016
Art Gallery 10:30-5:30pm

Opening Reception:
January 14, 2016, 5:30-7:30pm

Many of the components in Carol Collins' photo collages come from happier days, including ravens and landscape elements from camping in Death Valley, and a photo of ruins of an old chateaux. Collin's sees this project as a challenge to create something meaningful from her suffering, while she longed for her old life back.


Group of people holding photos in front of a brick building in Rwanda.

Photographic Stories told from The Rwanda Orphanage Project

Exhibition Dates:
February 16 to March 11, 2016
Art Gallery 10:30-5:30pm

Opening Reception:
February 18, 206, 5:30-7:30pm

The photographs in this exhibition are featured works produced by several students at Rwanda Orphanage Project in Kigali, Rwanda. After composing their self-portraits and hand-coloring their prints, each student crafted a sentence in Kinyarwanda (their native language) that compared a dominant part of their body to another object.